In a bumper year for screen adaptations of Stephen King’s work, the director of The Running Man, a dystopian thriller about a bloodthirsty TV gameshow, talks to the author about media manipulation, ...

Jennifer Lawrence stars in Lynne Ramsay’s first film in eight years: as a woman grappling with the emotional strain of early parenthood. She tells us about the influence of Cassavetes, her own ...

Joel Edgerton gives a career-best performance as a travelling labourer in Clint Bentley’s extraordinary film about a period of extraordinary change in early 20th century America.

Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

Daniel Day-Lewis brings potent realism to an otherwise uneven debut about a broken veteran, directed by the actor’s son Ronan Day-Lewis.

Rishi Coupland is appointed as Executive Director of new directorate Industry Development and Innovation and Deputy CEO Harriet Finney takes on an expanded remit, now overseeing Fundraising and ...

Our first releases of 2026 include a 5-film collection of the great American documentary filmmaker Frederick Wiseman and a 1960s British B-film much loved by Quentin Tarantino and Edgar Wright.

The Kwame Brathwaite Story is chosen as Best British Discovery in the annual audience vote at the end of this year’s BFI London Film Festival.

I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.

A special post celebrating the 10th anniversary of the BFI National Archive’s digital preservation infrastructure.

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

To play or not to play? This toy theatre was produced to help publicise Laurence Olivier’s Oscar-winning version of Hamlet. Ian McKellen remembers getting one for Christmas.