Some films are made with tons of financial backing, renowned writers, and a star-studded cast, and yet they can still disappoint audiences with their lacklustre delivery. Welcome to G-Town has the ...

Kicking off this year’s FrightFest in London for its 26th year was Abner Pastoll’s Nervous that takes a unique look at the voicelessness many women feel in relationships, as well as the wider world.

Asian horror is always a highlight at FrightFest, and this year was no different, with offerings from Japan, Indonesia, and South Korea among the top titles. After the latter blew the roof off with an ...

From Raw to In My Skin, Alpha, Titane, and Swallow, French body horror has long captivated genre fans thanks to its unflinching, visceral extremes, its unique blend of high art and exploitation, and ...

It’s easy to see why Binding Eva earned the vote of confidence that is a Saturday evening slot at this year’s FrightFest. Writer-director Conscian Morgan’s impressive debut is a psychological horror ...

Emerald Fennell’s adaptation of Emily Brontë’s Wuthering Heights has topped the UK box office for a second week in succession. The film made an additional £3.9 million following its second weekend in ...

From its opening moments, Fresh Meat leaves no doubt about the kind of film it wants to be. Director Daniel Turres wastes little time plunging audiences into a grisly opening sequence, bathed in ...

Histoire(s) du Cinéma, Jean-Luc Godard’s multi-part exercise in defiance (of narrative thrust, of documentarian rigour, of audience expectations, etc.) is designed to frustrate any viewer, even the ...

Wrath of the Gods is a bittersweet addition to this year’s FrightFest line-up. While it concludes a formidable chapter in British horror, its premiere comes barely a month after the untimely death of ...

In both films, the shiny tools of Spanish progress are revealed to be prisons in their own right. For La Cabina (1972) director Antonio Mercero, this cage is a literal one: a public telephone box that ...

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