Hollywood actors in starry plays, skittish investors and gate-keeping theater owners have all contributed to an unusually ...
Ask Michael Arden what it’s like to mount a new Broadway musical and the “Lost Boys” director will take a beat, then methodically deliver a wry response. “You might as well say, like, ‘Start a new ...
Performances in N.Y.C. Advertisement Supported by A musical version of the 1980s tear-jerker will close months earlier than planned after opening in April to negative reviews and soft sales. By ...
Michael Block is a 14 time GLAM Award nominated writer, producer, and host of the podcast Block Talk. Throughout his time in the entertainment industry, he has worked on and off Broadway as a stage ...
Two 1.21 gigawatt-charged DeLoreans, six vest-clad Marty McFlys and a soundtrack of ′80s pop music helped launch opening ...
Richard Zoglin is a New York-based writer and critic. No one goes to a Broadway musical expecting to see “Death of a Salesman.” Still, the classics of the genre nearly all had a core of seriousness.
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